2026
One Reality, Many Perspectives
A comprehensive visual identity for an international conference on social cohesion, using a prism-inspired system to represent multiple perspectives and unify all materials across print, digital, and animation.
2026
A comprehensive visual identity for an international conference on social cohesion, using a prism-inspired system to represent multiple perspectives and unify all materials across print, digital, and animation.
2026
Clean Stream Kosovo is one of the most significant environmental infrastructure initiatives ever undertaken in Kosovo and among the largest in the region. Over a period of three to five years, the project will fundamentally transform the wastewater and sewage systems serving the municipalities of Prishtina, Fushë Kosova, Obiliq, and Graçanica. By modernizing and expanding treatment capacity, upgrading networks, and introducing advanced wastewater management systems, the initiative will safeguard public health, protect natural ecosystems, and align Kosovo’s infrastructure with European environmental standards.
2025
A celebratory yearbook ad for Komfonie Engineering, blending hand-drawn technical sketches and expressive typography to honor the journey and creativity of engineering graduates in Switzerland.
2025
A bold rebrand proposal for SwissDev, combining a strong geometric mark with confident typography to reflect precision, reliability, and modern Swiss engineering standards in the construction sector.
2025
A contemporary rebrand proposal for Smart Project, combining a bold geometric mark with clean typography to reflect architectural precision, structure, and forward-thinking design.
2025
This brand proposal for Ocean Impact Summit unites a whale, flowing ocean waves, and a circular globe form into one cohesive symbol, representing global responsibility, marine life protection, and the powerful, collective movement driving ocean innovation forward.
2025
Horizon Residence is a contemporary residential complex in Prizren, designed to offer modern urban living with clarity, structure, and long-term value.
2025
Del Ku Del is a cultural initiative led by a group of fearless and imaginative young women who design alternative themed tours, performative walks, and curated experiences across Kosovo. The name comes from a widely used Albanian expression meaning “wherever it ends up,” capturing a spirit of spontaneity, openness, and embracing the unexpected.
2025
The Nje Vote movement and the mayoral campaign of Valon Prebreza marked one of the most dynamic and strategically executed local election campaigns in Kosovo’s recent political history. Conceived as both a civic call to action and a political platform, the campaign combined a bold visual identity, a unifying narrative, and a highly coordinated communication strategy across digital, print, outdoor, and grassroots channels.
2024
This symbol was designed for VED, a manufacturer of architectural window systems, translating the core function of framing into a bold and geometric visual identity. Constructed from interlocking vertical forms that suggest both the initials V, E, and D and the structure of window frames, the mark communicates precision, stability, and architectural clarity.
2023
This rebrand proposal for Credins Bank introduces a new visual identity built around a three-dimensional trinity symbol, an infinite, continuously rotating form that embodies the bank’s core values of transformation, trust, and enduring relationships. Constructed with perfect triple reflective symmetry, the symbol represents balance, strength, and interconnectedness, reflecting the dynamic relationship between the institution and its clients.
2021
This logo for NAZZA embodies refined minimalism and couture elegance, using a sophisticated, high-contrast monogram structure to reflect the exclusivity, precision, and timeless femininity of her solemn dress creations.
2020
This logo cleverly integrates a chef illustration with the phrase “Me Veti” (“to go” in Albanian), visually and conceptually capturing the essence of a modern food delivery brand that brings freshly prepared meals directly to you.
2019
The visual identity for My Prishtina is built around a symbol that subtly integrates the letters MY and PR, forming an abstract monogram that simultaneously reinterprets the iconic Goddess on the Throne terracotta figure from Ulpiana, one of the most important archaeological symbols of Prishtina. This dual meaning bridges past and present, connecting the city’s ancient cultural heritage with a new generation of photographers documenting its contemporary life.
2018
The development of a comprehensive mapping and wayfinding system for Kosovo’s public hospital network marked the first coordinated effort of its kind in the country. The project involved the analysis, design, and implementation of integrated traffic, pedestrian, and indoor navigation systems across the University Clinical Center of Prishtina, the Regional Hospital of Prizren, and the Regional Hospital of Gjilan. Through precise spatial mapping and a coherent visual guidance system, the initiative improved accessibility, strengthened operational clarity, and enhanced the overall functionality of Kosovo’s public healthcare infrastructure.
2017
The Vithkuqi project was a pioneering initiative to research, reconstruct, and digitally revive the earliest original pan-Albanian alphabet, first created in 1844. Through detailed historical analysis and typographic design, the project transformed fragmented archival material into a complete, functional digital type system. By bridging cultural research with contemporary design and technological execution, the initiative reintroduced the Vithkuqi alphabet as a living visual language, contributing to the preservation and renewed visibility of Albania’s typographic and cultural heritage.
2016
A precision-crafted mechanical automaton that translates rotational motion into a smooth, lifelike rowing action through a carefully engineered system of gears, cams, and linkages.
2016
A laser-cut masonite automaton carousel that combines mechanical motion with decorative craftsmanship, designed as a kinetic ornament rather than a conventional toy.
2014
This poster was designed as part of a public awareness campaign by the OSCE Mission in Kosovo promoting language equality and the right of all communities to access public information in their own language. The illustration depicts individuals confidently carrying characters from different alphabets, symbolizing the freedom of Kosovo’s diverse communities to express and preserve their linguistic identity in public life.
2011
I designed the identity for Dijenia, an online knowledge portal created to make science, arts, and learning more accessible and engaging for young audiences. The visual language reflects curiosity, clarity, and imagination, supporting an interactive platform that encouraged children and teenagers to explore ideas through alternative and creative approaches to education.
2009
This official flyer was designed to support Kosovo’s historic accession to the International Monetary Fund and the World Bank in 2009, one of the most significant milestones in the country’s early statehood. Distributed to representatives of member states ahead of the decisive vote, the design communicates institutional credibility, national pride, and diplomatic seriousness through a refined visual language.
2008
This logo was designed to reflect the strength, precision, and reliability at the core of M&M Construction’s work. The geometric form and balanced composition evoke structural clarity and engineered stability, aligning the visual identity with the firm’s commitment to quality construction. The mark provides a strong and adaptable foundation for the company’s presence across signage, documentation, and digital platforms.
2008
The visual identity for the KOSVET (Kosovo Vocational Education and Training) project was designed to reflect progress, opportunity, and institutional strength. The dynamic symbol conveys motion, growth, and transformation, representing individuals advancing through education into meaningful employment.
2005
I developed the original launch campaign for INTEREX when the brand first entered the Kosovo market in 2005, introducing a distinctive visual and verbal identity tailored to the local audience. The campaign featured a family of shopping cart mascots that personified the brand in a friendly, accessible way, alongside a localized slogan that continues to be used to this day.